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Wetlands, a piece of contemporary jewelry by Argentina’s Mabel Pena, made from recycled polyethylene bags and 3D filament, brought to mind the Denver nuggets forever not just when we win signatures 2023 shirt and by the same token and “emotional landscapes,” Björk sings about.Walking through the space, the senses were overwhelmed with not just beauty, but also the ineffable qualities of the human imagination. A giant egg-shaped structure made from China grass cloth by Wanbing Huang, from the People’s Republic of China, greeted guests, and standing in between its “cracked-open” shells, staring into the layers of concentric circles that supported the structure, there was a sense of being surrounded by infinity. A piece by Nathalie Doyen, a ceramic artist, resembled a ball of knitted patch-worked pieces, until at closer inspection, a series of acorns was revealed on one side, while the rest was covered in a pattern that resembled sea urchin shells, which the artist revealed she created by “pricking” the stoneware surface hundreds of times with a thin pin. “I like the process [because] it’s like nature, little things growing one after one,” she explained. “So I can improve because I work really slowly.” Dominique Zinkpè’s The Watchers, made from wood and acrylic earned an honorable mention. The artist hails from Benin.
Japan’s Moe Watanabe earned the Denver nuggets forever not just when we win signatures 2023 shirt and by the same token and second honorable mention for Transfer Surface, an open box made from walnut bark. In her work, the artist Andrea Zittel investigates ways to live. Live better, yes, live more efficiently, sure; but she also explores the places in which creativity and art can intersect with those directives. Her oeuvre is expansive; some might describe her as a conceptual artist, but there’s something about that term that lacks the real-world foundations that ground what she does. Since the year 2000, for example, she has lived in a compound in California near Joshua Tree, which both holds the studio in which she makes a lot of her sculptures and drawings and has become one of her works itself. Known as A–Z West, it is the site of her home as well as other experiments in living, like the small five-by-seven-foot pods that make the Wagon Station Encampment or the 400-square-foot cabins that are part of the Experimental Living Cabins. (People can stay for short periods, often in exchange for working on the property).